Throughout the novel Frankenstein, Victor consistently plays
God through numerous recurring themes that can be demonstrated during several
situations. Perhaps the most obvious context is when Victor insists on creating
a new species, thus giving birth to the wretched fiend, and taking over God's
greatest power—creation. The sheer similarity of the act performed and the
exclamations that Victor voices in his dramatic monologues account for his
distinct belief that he has received some sort of intellect of higher
intelligence—“A new species would bless me as its creator and source; many
happy and excellent natures would owe their being to me. No father could claim
the gratitude of his child so completely as I should deserve theirs (Shelley
32)”— as Shelley portrays quite visibly many of Victor’s aspirations were to
role play God, follow in his footsteps, mirror his performance and actions, but
above all, achieve the glory, recognition, fame, and respect from the ‘humans’
he sought to form. There
are also numerous illustrations that give insightful information about what
Victor is thinking as he glorifies and prides himself in learning a science
that no one else has mastered, which further perpetuates his belief that he can
serve as God because he has access to surreptitious evidence—“It was the
secrets of heaven and earth that I desired to learn; and whether it was the
outward substance of things, or the inner spirit of nature and the mysterious
soul of man that accompanied me, still my enquiries were directed to the
metaphysical, or in its highest sense, the physical secrets of the world (Shelley
19).” Perhaps,
Victor even believed that he had a heaven-to-earth revelation because text
evidence supports that he had an epiphany upon discovering some vital truth
that only he was allowed to see—“a light so brilliant and wondrous, yet so
simple, that while I became dizzy with the immensity of the prospect which is
illustrated, I was surprised, that among so many men of genius who had directed
their enquiries towards the same science, that I alone should be reserved to
discover so astonishing a secret (Shelley 31).” Through such context, it almost
seems as if Victor is envisioning that God has cast a beam of diving light at
him and selected him as the ‘chosen’ one. As illustrated, Shelley again uses a
religious connotation that is expressed through the imagery of light since
oftentimes when a beam of light shines down from the clouds or even a rainbow,
heavenly feats are associated with it. Another character,
Walton, also respectively aspires to become God, although not nearly as much as
Victor does. Through simply the introduction of the first letter, his written
dialogue vividly alludes and has connotations of association to a higher power—“These
visions faded when I perused, for the first time, those poets whose effusions
entranced my soul, and lifted it to heaven. I also became a poet, and for one
year lived in a Paradise of my own creation; I imagine that I also might obtain
a niche in the temple where the names of Homer and Shakespeare are consecrated.
(Shelley 2)”—the numerous references to his own creation, Heaven, and ambitions
for fame, clearly mirror desire that are in God’s holy, omnipotent image. Moreover,
simply Walton’s ambition to travel and find the North Pole seems to have many
Biblical references. In the Bible, Jesus is able to walk on stormy seas.
Likewise, Walton appears to be challenging God by proving that he too can overcome the forces of
nature. Shelley illustrates this principal through numerous evidence of
Romantic text as she has Walter expand on how the oceans must obey mankind, and
how the seas are no match for man’s ship.
I love that you have noticed the Biblical allusions in the text. As we know from Foster, there is never really a new story! These allusions really enhance our understanding of the work. Nice post!
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